Psychological Theories of Creativity and the Film "Phenomemon"
Title: Psychological Theories of Creativity and the Film "Phenomemon"
Category: /Social Sciences/Psychology
Details: Words: 1433 | Pages: 5 (approximately 235 words/page)
Psychological Theories of Creativity and the Film "Phenomemon"
Category: /Social Sciences/Psychology
Details: Words: 1433 | Pages: 5 (approximately 235 words/page)
Introduction
<Tab/>Integrally, psychology is the study of the correlated effects of ideas, behaviors and environments. As researchers delve deeper into unexplored areas of psychology, such as neuroscience, Hollywood movie producers have encountered an array of unique plot opportunities. Turteltaub's Phenomenon exemplifies this increasingly popular trend in today's films. The psychological background of this particular film are perhaps best made clear by the physiological and humanistic approaches.
The humanistic and biological
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thoughts in this area as well.
Works Cited
Berlyne, D.E. (1971). Aesthetics and psychobiology. New York: Appleton Century-
<Tab/>Crofts.
May, Rollo. (1975). The Courage to Create. New York: Norton.
Maslow, Abraham. (1971). The Farther Reaches of Human Nature NY: Viking.
McCarthy, K.A. (1990). Creativity and quantum physics: A new world view unifying
current theories of creativity and pointing toward new research methodologies. Unpublished doctoral dissertation, University of Oregon, Eugene, OR. (Microfilms International)