… which display the varying perceptions of different characters. The perceptions of the characters often differs because of what they are able to see and also in their nature. Such factors obstruct their vision, not allowing them to see clearly.…

… Lighthouse' be understood as a feminist text? When looking at To The Lighthouse we see the conventional usage of feminism's challenged. Woolf uses many different styles and techniques, and although the term feminist is never used within the novel,…

… island, isolated and alone. It is connected to a great many literary works by some common themes. One such theme is the idea of experimentation. Mythology in particular and history in general, has shown us that the right to experiment comes with…

… written by sixteenth and seventeenth century English bard, William Shakespeare. Some scholars believe it may have been his first work written for the stage as well as his first comedy (Shakespearean 310). The earliest record of it being performed…

… Kent is an interesting character. He remains loyal and is true to the King even when he is banished. When the King banishes Cordelia in the first scene of the play, Kent sees this as a foolish move and pleads with him to reconsider his decision. He…

… powerful man and is well liked by his subjects. The people love him. Then he is suddenly, inexplicably murdered. Someone is blamed for the murder, but the entire country knows the accused are innocent and are tools used in a cover-up. Does this…

… the Relationship of Beatrice & Benedick In William Shakespeare's comedy 'Much Ado About Nothing', the characters Beatrice and Benedick are involved in what could only be called a 'love/hate' relationship. The play is a classic example…

… If Shakespeare was alive today it is certain that there would be a lot written about him. We would read reviews of his new plays in newspapers, articles about his poetry in the literary papers, and gossip about his love life and his …

… Shakespeare's Macbeth will be explored and be explained. This aspect is that of the three Weird Sisters. These three 'secret, black, and midnight hags' (Mac. IV.i 47), hardly distinguishable as humans, serve a huge dramatic function in the play.…

… Macbeth's ruin is his uncontrollable ambition. His desires take control of his actions and this becomes his tragic flaw. It prevents him from becoming aware of when to stop; he is never fully satisfied as his desire for power grows. Macbeth's judgmen…